Ben Brownlee takes you through the process for pulling a great key in DaVinci Resolve with Boris FX Primatte Studio. In the final part of the series, we work hard to bring it all together. We revisit the color grade across the scene, using Resolve's own tools, plus other Continuum filters to add a holistic touch. We also take another look at edge details and push the limits of what you can do with a single instance of a keyer filter. Follow along with this series by downloading the media and project files:
Get more information about Primatte Studio and the other Continuum filters:

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